When Line six released their DL-four Stompbox in 2000, a Delay modeler pedal, small did they know the essential acclaim this "little green monster" would create. From Phil Keaggy to Eric Johnson, many environment-class guitarists count the DL-four as a go-to delay pedal. Why all the fuss? What tends to make the DL-4 Delay pedal such a popular item among guitarists?
For starters, the Line six DL-four is made up of 16 delay pedal versions based on such classic delays as the Maestro EP-1 Echoplex (a personalized favorite of Eric Johnson) to the T.C. Digital 2290. It includes designs from such results producers as Roland and Electro-Harmonix, just to name a handful of far more.
As well as, it has a constructed-in 14 2nd looping purpose, which consists of backwards looping. When not in looping mode, you can save up to a few presets. Plus, there is a tap-temp footswitch, so you can arranged the delays to match the tempo of the tune you are playing.
If these sound functions weren't enough, the Line 6 DL-4 Delay is also designed to last. It really is a very little green tank! Personally, I've owned an individual for about 6 years, and although it really is defeat up to be convinced, it still sounds as terrific as it did when I to start with bought it.
The DL-four can function in both equally real bypass and buffered-bypass mode. I choose the latter due to the fact it doesn't reduce off your delay trails (and it helps make the volume more constant as perfectly).
The DL-4 Delay can operate in both stereo or mono mode, and it incorporates a jack for an optional expression pedal so you can management the delay parameters in genuine time.
So, when Line 6 amps attained them their first good status, it looks that their effects pedals will do the identical. Make no blunder about it. The Line six DL-4 Delay pedal is a keeper!
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